Inspiration

Dichter und Priester waren im Anfang Eins. Und nur spätere Zeiten haben sie getrennt. Der echte Dichter ist aber immer Priester, so wie der echte Priester immer Dichter geblieben. Und sollte nicht die Zukunft den alten Zustand der Dinge wieder herbeiführen?

 Poet and priest were one in the beginning. Only later times separated them. But the true poet is always a priest, just as the true priest has always remained a poet. And should not the future bring about the old state of things again?

                                                                                                           --Novalis, Fragmente I

Whether or not Novalis is correct in his assertion, there is an element of mystery in all true poetry. The poet not only asserts what he or she knows, but also what the act of creating poetry itself reveals. The poet not only predicates what is known, but also what is not known and yet can still be expressed. This is one of the great powers of poetry. The poem itself influences the way that the poet creates. Novalis states that:

 Es gibt gewisse Dichtungen in uns, die einen ganz andern Charakter als die übrigen zu haben scheinen, denn sie sind vom Gefühle der Notwendigkeit begleitet, und doch ist schlechterdings kein äußrer Grund zu ihnen vorhanden. Es dünkt dem Menschen, als sei er in einem Gespräch begriffen, und irgendein unbekanntes, geistiges Wesen veranlasse ihn auf eine wunderbare Weise zur Entwicklung der evidentesten Gedanken. Dieses Wesen muß ein höheres Wesen sein, weil es sich mit ihm auf eine Art in Beziehung setzt, die keinem an Erscheinungen gebundenen Wesen möglich ist. Es muß ein homogenes Wesen sein, weil es ihn wie ein geistiges Wesen behandelt und ihn nur zur seltensten Selbsttätigkeit auffordert. Dieses Ich höherer Art verhält sich zum Menschen wie der Mensch zur Natur oder der Weise zum Kinde.

There are certain poems within us that seem to have a completely different character from the others, for they are accompanied by a feeling of necessity, and yet there is absolutely no external reason for them. It seems to the human being that he is engaged in a conversation, and that some unknown spiritual being is causing him in a wonderful way to develop the most obvious thoughts. This must be a higher being, because it relates to one in a way that is not possible for any being bound to appearances. It must be a homogeneous being, because it treats him like a spiritual being and only rarely asks him to be self-active. This ego of a higher kind relates to humanity as a human does to nature or a wise person to a child. (Novalis, Fragmente I)

Call it intuition or inspiration, poetry can be a means of revealing much more than the poet knows or intends—the expression of a wisdom that transcends even the poet’s own limited personal experience or knowledge.

"I acknowledge my transgressions"

 

The Return of the Prodigal Son, Rembrandt

“I acknowledge my transgression,” says David. If I admit my fault, then you will pardon it. Let us never assume that if we live good lives we will be without sin; our lives should be praised only when we continue to beg for pardon. But people are hopeless creatures, and the less they concentrate on their own sins, the more interested they become in the sins of others. They seek to criticize, not to correct. Unable to excuse themselves, they are ready to accuse others. This was not the way that David showed us how to pray and make amends to God, when he said: “I acknowledge my transgression, and my sin is ever before me.” He did not concentrate on others’ sins; he turned his thoughts on himself. He did not merely stroke the surface, but he plunged inside and went deep down within himself. He did not spare himself, and therefore was not impudent in asking to be spared.

                                                                                             --from a sermon by St. Augustine