Tuesday, April 23, 2019

“How I Spent My Summer Vacation”


I remember being twelve and going to Vacation Bible School on the military base near our home. My father had lost an eye during a brief stint in the army, long before I was born, and received a disability retirement, though he was in fact the least disabled (or soldierly) person I ever met. The disability retirement meant that he and his dependents continued to have full military privileges, a state of affairs my siblings and I took advantage of in every possible way. We swam at the base pool, went to the movies at the base theater, shopped at the base stores, and used the base library, which featured a remarkably comprehensive collection of children’s books. Eligibility for participation in the base’s Bible School was another perk of being a dependent. Like most of the kids who showed up for it, we went mainly for the freebies handed out daily, including beach balls, Frisbees, reusable water bottles, tee shirts, Nerf balls, and, of course, Bibles. Those of us who lasted long enough even ended up with windbreakers and pup tents. (Years later, I knew a woman who had been a chaplain’s assistant in the army. She put together a huge buffet of donated food for the opening of a new campus ministry center at the local university, and when I complemented her on the quality of the feast—not to mention the door prizes—she told me, “The one thing I learned in my time with the military was that if you want to pack an event, you have to give away free stuff.”)

     We would be picked up by a bus at Center Chapel and transported to a collection of unused barracks deep inside the base, rather dilapidated wooden buildings painted pale yellow on the outside and gray on the inside. Each building was furnished with cafeteria tables and metal chairs. The buildings also held an assortment of coffee cans filled with sand and labeled “butts only,” which we, the kids, found very amusing. On the wall near the drinking fountain in each building was a gadget that looked like a soap dispenser packed with shiny salt tablets. For a couple of days, I was strangely and stupidly happy to have unlimited access to the tablets, even though I had no idea why someone would actually want to consume such a thing.

     We were assigned to the different buildings according to our ages. This meant that I couldn’t just hang out with my siblings. If I wanted to score a freebie, I would have to mingle. The Bible School was a joint effort by chaplains of different denominations, and perhaps for that reason there was little actual studying of the Bible. We spent most of the day singing folk songs and doing arts and crafts or having “rap sessions” about drugs and drinking, dating, bullying, and the like. I had been raised, both at home and at school, in my own faith tradition, but the army was a pragmatically non-sectarian institution. I remember how the chapels on base could be quickly altered to accommodate the different denominations that used them. Every Sunday, after Catholic mass, the Reformation was symbolically reenacted in a matter of minutes.

     At the Fort Bliss Vacation Bible School, I found myself surrounded by kids of many faiths, who struggled with the same issues and fears and hopes that I did. There was a girl who had been in an inpatient drug treatment facility when she was only eleven. A boy whose mom was an army nurse and whose dad was doing life in prison. And there was Andy (not his real name), a pastor’s son who had lived in Guam and Korea and with whom I remained friends until his dad was transferred to the Presidio a few years later. He was an incorrigible prankster and a talented and fiercely competitive baseball player. When it came to picking teams, he was always the first one chosen. Baseball brought a special stability and purpose to his otherwise unsettled, peripatetic “army brat” life. But as I got to know him better, I discovered that in spite of his athletic prowess, he often seemed lonely, lost, and rather alienated, overwhelmed by feelings that neither his family nor baseball could fix. All of that didn’t necessarily make him a better friend, but it did mean he was someone you could be honest and authentic around. He understood inner pain.

     The chaplains who led our discussions were predominantly young, and, unlike Andy’s dad, were not career soldiers. They were surprisingly open-minded, even when it came to difficult issues like the morality of killing for one’s country, and they tended to have more than a little healthy skepticism about unquestioning obedience to authority. In the midst of the ugly, impersonal military barracks and the avid queuing for freebies, I experienced a real sense of community (though I didn’t put a name to it at the time), and I also gained a new openness toward kids and adults of other faiths.

     By the end of it, my knowledge of the Bible was not appreciably greater—and I was already pretty knowledgeable on the subject, as it was—but I had made new friends, and created plenty of artwork that my parents could proudly display, and ended up with lots of free stuff, though most of it turned out to be rather shoddily made and, unlike the friendships, didn’t survive the summer. 


Thursday, April 11, 2019

I Want to Tell a Story . . .




I want to tell a story, but it immediately becomes a project of infinite proportions.  Every detail calls for a complimentary detail, every character summons up countless other characters, and every event, every emotion, a million others just as important.  Suppose a character says, “I love you.”  Is not the first person who said those words a hundred thousand years ago now a part of this story?  Perhaps those were the first true words ever spoken by a human being.  Perhaps the story of why a long-ago ancestor chose to say those words is the element that must be told as a part of my story.  And must I not also tell the tale of every joy and heartbreak that my character had previously experienced or will ever experience in the realm of love, in order to be true to my original story?  How to cut through this hopeless tangle, and still communicate the full import, the full meaning of the story? 
     Perhaps it is only possible through the vehicle of metaphor to at least approximate the beating heart, the true essence of my tale.  How can one communicate the deepest reality of a story without that queen of language, the metaphor?  Think of Rory Gallagher’s song “Philby.”  It would be hard to imagine two persons more dissimilar than Rory Gallagher and Kim Philby, and yet Gallagher was able to express his own rootlessness and alienation by choosing to identify with the famous double-agent in his song.  In the song, he became a metaphorical “double-agent,” torn between his public persona and his lonely private self, and he articulated those feelings so well that he allowed the listener to recognize them, too.  Is it possible to express the meaning of the words “I love you” through any other means than metaphor, or to prune the branching roads of story with any other tool?

Tuesday, April 9, 2019

Under a Willow Tree, on a Summer Afternoon

It was a late summer afternoon in the little park.  She sat at a wooden table under a willow tree, drawing rather absentmindedly in a thick, heavy sketchbook.  The sun was low, and the willow leaves rustled and sparkled with orange-yellow light.  I didn’t know her well—she was really a friend of my sister—but she had always been kind and considerate toward me.   We’d discussed books and art and philosophy on a few occasions, and she even lent me Frank Herbert’s Dune after we talked about The Lord of the Rings.  We discussed the Gormenghast trilogy, too, even though I had only skimmed it once or twice.  She referred to it as “Gormenghastly.  She was smarter, deeper, and more well-read than any other high schooler I knew, and we’d both recently graduated from different schools.  What I found most remarkable about her was her openness to being just what she was: smart, thoughtful, well-read, and artistic.  It wasn’t a source of pride or arrogance for her; it was just that she felt no shyness in possessing those qualities and letting the world know of them (which was so unlike the rest of us, who saw those things as liabilities and vulnerabilities that should be hidden from our peers).  What a source of courage and inspiration she was, without even knowing it!  She was a truly agreeable person, but one who also liked to stay in her own little world.  We chatted casually for a few minutes, as the road of life seemed to spread out endlessly before us.  When we parted on that late afternoon, under the shimmering willow tree, we both quietly suspected that we might not see each other again for a very long time (which proved to be the case), and that we would be virtual strangers the next time we met.  We were like two people from the same village waiting on a pier for separate ocean-bound ships, great, steady vessels that would take us to strange, exotic ports on widely-divergent continents, places from which there would be no easy return.     


Two Ships at Anchor, Andries van Eertvelt

Sunday, April 7, 2019

Das Paradies ist das Ideal des Erdbodens




Verstand, Phantasie Vernunft, das sind die dürftigen Fachwerke des Universums in uns. Von ihren wunderbaren Vermischungen, Gestaltungen, Übergängen kein Wort. Keinem fiel es ein, noch neue, ungenannte Kräfte aufzusuchen – ihren geselligen Verhältnissen nachzuspüren – Wer weiß, welche wunderbare Vereinigungen, welche wunderbare Generationen uns noch im Innern bevorstehn.
                                                                —Novalis, “Fragmente und Studien” 1799-1800

Mind, imaginationreason, these are the tenuous frameworks of the universe within us. But no one speaks about their wonderful mixes, designs, transitions. No one has thought of seeking new, unnamed forces—of studying their common relationships—and who knows what marvelous associations, what wonderful inspirations are still awaiting us within.