Einst da ich bittre Tränen vergoß, da in Schmerz aufgelöst meine Hoffnung zerrann, und ich einsam stand am dürren Hügel, der in engen, dunkeln Raum die Gestalt meines Lebens barg – einsam, wie noch kein Einsamer war, von unsäglicher Angst getrieben – kraftlos, nur ein Gedanken des Elends noch. – Wie ich da nach Hülfe umherschaute, vorwärts nicht konnte und rückwärts nicht, und am fliehenden, verlöschten Leben mit unendlicher Sehnsucht hing: – da kam aus blauen Fernen – von den Höhen meiner alten Seligkeit ein Dämmerungsschauer – und mit einem Male riß das Band der Geburt – des Lichtes Fessel.
--Novalis, Hymnen an die Nacht, 3
Once when I shed bitter tears, when my hope dissolved in pain and I stood alone on the barren hill that concealed the shape of my life in a narrow, dark space—as alone as no lonely person had ever been, driven by unspeakable fear—powerless, only an idea of misery. As I looked around for help, unable to go forward or back, and clinging with endless longing to the fleeing, extinguished life; there came from the blue distance—from the heights of my old bliss—a twilight shiver, and suddenly the bond of birth—the fetters of light—were broken.
Novalis, in his prose writing, especially his fragments, is an explorer: observing, pondering, developing half-formed, tentative ideas. His prose work is insightful but contingent.
But
in his poetry, he is a prophet: intuitive, confident, wise. His fragments are
speculative, but his poetry (which sometimes, as with the above fragment, takes
the form of what is commonly called “prose poetry”) is consummate, imperative, visionary, sure.
