Novalis’ Magical Idealism turns Max Demian’s famous
phrase, “Wer geboren werden will, muß
eine Welt zerstören” (whoever would be born, must destroy a world),* upside
down. Magical idealism calls us to create a world, in order to be born.
Sophie von Kühn—as she has come down to us—is a
product of Magical Idealism. In the poetically
inspired, romanticized world of Novalis’ creation, this rather ordinary
teenager who liked to play games and eat baked beans and sneak a smoke is
transformed, through Magical Idealism, into a celestial being, the only light of the firmament, a heavenly guide. Like the god who places the hero in the bright nocturnal sky as a burning constellation, Novalis fixes his beloved in the Hymnen an die Nacht, where she will forever be glorified by the children of mortals. Sophie,
like Beatrice, remains for posterity a fixed image: the angelic guardian, the divine
messenger—and the prime example of Magical Idealist philosophy in practice.
* Demian:
Die Geschichte von Emil Sinclairs Jugend, Hermann Hesse