»Die
Sprache«, sagte Heinrich, »ist wirklich eine kleine Welt in Zeichen und Tönen.
Wie der Mensch sie beherrscht, so möchte er gern die große Welt beherrschen,
und sich frei darin ausdrücken können. Und eben in dieser Freude, das, was
außer der Welt ist, in ihr zu offenbaren, das tun zu können, was eigentlich der
ursprüngliche Trieb unsers Daseins ist, liegt der Ursprung der Poesie.«
--Novalis, Heinrich von Ofterdingen
A
lesson in linguistics from Heinrich von
Ofterdingen. Poetic language not
only allows us to describe reality, but also to create reality. Poetic language surpasses logical language by
not only making possible the description of concepts, people, and things—as
well as revealing the relationships between them—but by also allowing those
descriptions and relations to become infinitely malleable, infinitely configurable,
like musical notes. Poetic language
allows the impossible to be possible and, even more importantly, grants the possibility
of independence from so-called “reality” itself (so-called because our
understanding of “reality” is limited in so many ways). Yielding to the possibility does not mean choosing
falsity over truth, but rather, represents the opening of a door to different
levels of truth. Poetic language also allows
for the translation of those truths into apprehensible meaning, as it is
capable of genuinely expressing what is inexpressible in ordinary language.
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